This is incredibly important, because to convert your negatives into color-corrected positives, we need all the editing leeway we can get! And even worse, they are fundamentally changing (and degrading) the colors and tones in the scan in a way that you cannot “undo” later.īy shooting RAW with your DSLR film scanning setup, you’re able to capture the colors and tones in your negative in a way that makes it easier to manipulate during conversion. The problem is that the software in most scanners is just horrible at producing good colors. Even after a LOT of work in post, they still didn’t look quite right. I was constantly disappointed with the colors I got from my negative scans with a traditional film scanner. When done correctly, this leads to significantly better tones and colors. With my DSLR scan setup, I’m able to process my negatives in an all-RAW workflow. DSLR Film Scanning is literally 100x FASTER than a traditional scanner These are just a few of the advantages that we hope to gain by switching or improving our DSLR scanning setup.
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